Thirty-five-plus years of photography, film, and writing — and a parallel career building the spaces where Phoenix's downtown arts scene happened.
The center of it now is A Harvest, a weekly letter to my son Will. Around it sit two photographic series — The Divine Children, shot in Iceland, and The Passenger, shot on the Thames — and Shade, the magazine I founded and ran in the early 2000s, now archived here in full.
The Letters → | Images → | Shade → | Historically →
New letters land weekly — subscribe to follow along.
